A dedicated and experienced freelance Focus Puller with eight years of
experience in both film and television production. Skilled in operating the camera and ensuring
precise focus
throughout a shot, managing lens changes, and supporting the camera department. Adept at working
under tight
changes, and supporting the camera department. Adept at working under tight
schedules and maintaining attention to detail, while collaborating seamlessly with
the Director of Photography, camera operators, and other departments to achieve the best possible
image quality
My Portfolio
Here's a selection of projects where I served as 1st AC / Focus Puller. These video
highlights showcase my technical precision and collaborative approach on professional sets.
Showreel & Highlights
Role: 1st AC / Focus Puller Platform: Vimeo
A curated collection of my best work across various projects.
Grogan's Lodge | Official Trailer
Role: Camera and Electrical Department Platform: YouTube
Worked on this short film trailer for Okada Media.
Crime and Justice S2 | Launch Trailer
Role: Camera and Electrical Department Platform: YouTube
Contributed to this Showmax Original Series trailer.
A Very British way of Torture
Role: 1st AC / Focus Puller Platform: YouTube
Documentary on the horrors of colonialism.
Corporate Brand Campaign
Role: Camera Department Platform: YouTube
Professional commercial work for Safaricom.
Short Film Project
Role: 1st AC / Focus Puller Platform: YouTube
Narrative focus work for a cinematic film.
On Set Gallery
A visual showcase of my work in the camera department on various productions.
This collection highlights my technical skills, on-set experience, and collaborative approach in the
camera department.
Insights
Tips, gear reviews, and behind-the-scenes perspectives from the camera department.
5 Focus Pulling Techniques for Challenging Shots
Posted on June 15, 2025
Mastering focus requires both technical skill and intuition. Here are my key techniques for
maintaining sharp focus in difficult shooting conditions, including whip pans, low-light
situations, and fast-moving subjects.
Every 1st AC needs a reliable toolkit. Here's what I always bring to set and why each item is
crucial for smooth operations, from lens tissues to digital tape measures.
Having worked extensively with both systems, I compare the practical on-set considerations
for camera assistants, including menu navigation, battery life, and media management.
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